故事在逻辑上其实挺禁不起推敲的，但真是。。。很好笑。。。 编剧的政治讽刺戏写的太得心应手了。。。 （这部被砍之后，tgf就直接用了里面的很多形式啊，也算个不错的试验品了。

隐忍布局与一触即发的翻盘，从讨酒、写信和广播几个事件中便能对男主内敛的思绪窥见一斑，全片除精彩外更多是积压一种对自由的渴望，冲破狭隘牢笼得到海阔天空，结局不甚美好。而片中上吊的老爷子，则是早已磨灭希望的消极典型，意在与男主形成对比。

五个小故事组成的恐怖片，个人比较喜欢第四个，那种怪异氛围的营造，慢慢揭开的故事。其他几个都觉得不怎么可怕，但血腥是很血腥。但我觉得靠血腥来恶心人的恐怖片就不算是好看的恐怖片。

有点像艾伦伍兹的电影，大量对白+长镜+特写，复古的画面和BGM，金句频出，结尾有点出人意料但又显得平淡。超多大咖，Andrea Riseborough还是最爱，Christian Bale还是一样敬业。"Dead man makes you realize time is short and love is real, if you know what it is." "True love is based on choice, not need" "Maybe you spent enthusiasms and urgencies you didn't know you were wasting until it was too late. You ended up without a chair by the time the music ends, even in your own home."

In the bleak midwinter By the last order of the Peaky Blinders 2/27